35
Direct transition
35 languages pass once from the dominant term at focal green to the dominant term at focal blue. Only these positions appear on the axis above.
Colour and language
The same palette, divided by 110 languages
The spectrum flows without edges. Words divide it, but the shape of the division changes with the language. Some draw a line. Most change the question.
The band below runs from green to blue without steps. Lightness and saturation are held constant along its whole length, so hue is the only thing that changes. Choose the place where green becomes blue for you.
Each mark is one of the 35 languages in which the dominant term passes once, directly, from focal green to focal blue. Yours is the white one.
You drew a line because English asked you for one. The same operation cleanly describes only a third of the World Color Survey. The rest of the palette needs other shapes.
35
35 languages pass once from the dominant term at focal green to the dominant term at focal blue. Only these positions appear on the axis above.
64
64 languages use the same dominant term at both focal probes. Two contain a different term between the probes, so this claim is about the endpoints rather than the whole band.
11
11 languages introduce a third term or return to an earlier one. Their data describes a region rather than a single frontier.
Every speaker named all 330 chips. The grid below shows, for each chip, the word most of them used. Rows run from light to dark, columns travel round the hue circle.
The square beside each word is the mean of the colours that word covers in the grid, so it shows what the word denotes rather than a colour chosen by me. The detached column on the left is the scale without colour, white through black.
In 1858, before he became prime minister, William Gladstone published three volumes on Homer. He counted the colour words in the Iliad and the Odyssey and found a thin vocabulary, no clear word for blue, and the sea described seventeen times with the adjective used of wine. He concluded that the Greeks had an undeveloped eye.
The Greek eye was our eye. What was missing was the line, and the line turns out to be the free part. Homer had words for how light behaves on a surface and less use for a shelf of hues. The same observation that led Gladstone to a conclusion about the retina leads, with today's data, to a conclusion about the lexicon.
In 1969 Brent Berlin and Paul Kay noticed that languages do not add colour words in any order. A language with two words splits them between light and dark. The third is red. Yellow and green follow, then blue, then brown, then the rest. The claim was attacked at once over sample and method, and the World Color Survey was the answer: the same 330 chips, carried to 110 communities, with about 24 speakers each.
The result does not confirm a rigid ladder, but it does show something stable. When all 109,256 best-example choices from both surveys are placed on the hue axis, the density has two clear peaks between yellow and purple: one at 2.5G, one at 2.5PB. Those are the two chips used here as probes. Speakers of every language pointed at them, which is what selected them; English had no part in the choice.
Albastru comes from Latin albaster, from albus. The starting sense was grey, washed out, whitish, and Alexandru Ciorănescu's etymological dictionary records it surviving in Moldavian speech and in Maramureș, where a grey sheep is called albastră. The word reached the clear sky by way of the pale one.
The other word, vânăt, is also Latin, from venetus. It covers dark blue tending to violet, the grey-blue of horses, and skin that has been struck or chilled. Neither has a Slavic root, though the second sounds like a loan. Romanian has two Latin words for the blue region, and the one that became the ordinary term set out from white.
The distinction between albastru and vânăt does not live on the band you cut. Hue stays the same; what changes is how dark it is. Russian makes the same cut obligatorily, between goluboy and siniy, and Jonathan Winawer and colleagues showed in 2007 that Russian speakers tell two samples apart faster when they fall on opposite sides of that border, an advantage that disappears when a spoken task occupies their language in parallel.
This line has never been measured for Romanian in any published survey. The band holds hue fixed at 2.5PB and varies only lightness. What you choose stays in your browser.
Languages differ in both the position of their borders and the shape of their categories. In the World Color Survey, 64 of 110 use the same dominant term at focal green and focal blue. Best-example choices nevertheless gather in a few stable regions of the palette.
How much of that gathering comes from the eye and how much from the way the question was put. Debi Roberson, Jules Davidoff and Ian Davies, working with Berinmo speakers in Papua New Guinea and Himba speakers in Namibia, showed that each language's own borders change performance on memory and discrimination tasks, which cuts against a strictly universalist reading. Terry Regier, Paul Kay and Richard Cook replied in 2005 that the focal points hold across the World Color Survey data. Both results stand, because they look at different things: one at the borders, the other at the centres.
The original chips are Munsell papers viewed under a standardised illuminant. Your screen is not that illuminant, and almost a third of the chips at full saturation fall outside the sRGB gamut. The band you cut is therefore drawn at a saturation any screen can render honestly, tamer than the real papers. Your position is comparable with the others because it uses the same hue axis, not because your screen is calibrated.
The 20 languages in Berlin and Kay's appendix carry one synthesised speaker each and contain several gaps between the probes. They remain in the reproducible archive and in the history of the idea, but do not enter the three main counts. The World Color Survey averages 24 speakers for each of its 110 languages. The question reached you in a language; its words supplied a shape before you touched the band.
For each language the commonest term at each chip was taken, then the dominant term for each hue column. A line enters the comparison only when the sequence between the probes contains one green run followed by one blue run. A third term, a return or a column without observations receives its own class. The table shows how the classification changes when the calculation uses other lightness bands.
| Rows used | Direct transitions | Matching endpoints | Complex shapes | Line median |
|---|---|---|---|---|
| B-I | 35 | 64 | 11 | 7.5BG–10BG |
| C-G | 34 | 65 | 11 | 7.5BG–10BG |
| D-F | 29 | 65 | 16 | 5BG–7.5BG |
| E | 23 | 66 | 21 | 5BG–7.5BG |
The data files are public. The survey's original site no longer responds; the copies used here come from the web archive, and the figures were recomputed from them.
110 languages, about 24 speakers each, 330 chips named one at a time. The 863,280 judgments and every boundary position computed here come from this file.
The 20 languages of Basic Color Terms, among them American English and Vietnamese. One synthesised speaker per language; they remain historical context rather than entering the main counts.
Measurements under Illuminant C. Every colour on the page derives from them, with Bradford adaptation to D65 and clipping to the sRGB gamut.
The argument that best-example points cluster in the survey data. The peaks recomputed here independently from the foci file fall in the same places.
The source for the goluboy/siniy distinction and for the effect vanishing under a verbal load. It is a lightness border, not a hue one, so it does not appear on the first band.
The relativist side of the debate. Berinmo has five basic words, Himba five as well, among them burou, which covers green and blue and reaches into purple.
The DEX and Ciorănescu entries for the two Latin etymologies and for the sense “grey” surviving in Moldavia and Maramureș.
Volume three, section IV, “Homer's Perceptions and Use of Colour”, from page 457, where Gladstone inventories the colour adjectives of the poems and draws his conclusion about the Greek eye.